Exiled is really its own thing in the world of action movies. If you've grown bored with the recent Hollywood trend of shaky cameras, incoherent action scenes and split second editing, Exiled is a breath of fresh air. If you want to see action that's clear, coherent, and carries a sort of odd, dreamlike quality, put Exiled on your movie downloads queue.
Years after a top ranked lieutenant in the Triad betrays his boss, the boss, played by Simon Yam, sends a pair of hitmen to take him out. Meanwhile, two members of the gang come to protect the man. These characters were all friends in the gang, and it's out of duty that the two hitmen come to kill their old partner. They come to a compromise and decide to pull off a big score to support the man's wife and child before settling their conflict.
There's a warmth and sweetness to what happens. Where most gangster movies are defined by that cold, impersonal "Just Business" approach to violence, here, none of the characters really want to shoot at each other, they've been friends since they were young, and they seem upset that it's come to this.
The movie was directed by Johnnie To, the Hong Kong legend, who came out with his first films around the same time as John Woo and Ringo Lam were defining the Heroic Bloodshed genre of HK action flicks. Where those earlier films were defined by the anger at the Chinese takeover of the city, this one has a sense of forgiveness, compassion and understanding, having been made after the takeover.
The dreamlike quality to the film is really something. Shootouts take place in slow motion, with action that takes only thirty seconds being expanded to several minutes. One incredible scene begins with a character throwing a Red Bull can into the air, and climaxes just as the empty can hits the floor, with bullets flying and people dying over the course of an incredible slow motion bullet ballet.
The story isn't always quite as clear as the action, but this actually helps to improve the dreamlike quality of the film. To himself has admitted that he finds the film confusing and still hasn't quite made sense of it. Watch it for the characters and the action, though, and you'll be able to appreciate the movie in full.
The genre of Heroic Bloodshed was defined by angry violence, often showing one man up against an army as a parallel to the independent people of Hong Kong and their anger against the Communist China. After Woo and Lam went to Hollywood, Johnnie To stayed behind and redefined the genre on his own terms, turning it into something a little less vitriolic.
Where the classic Heroic Bloodshed films were about anger and revenge, this one is about forgiveness and compassion, and is certainly a unique, one of a kind action film, both exciting and trance like at once. - 40723
Years after a top ranked lieutenant in the Triad betrays his boss, the boss, played by Simon Yam, sends a pair of hitmen to take him out. Meanwhile, two members of the gang come to protect the man. These characters were all friends in the gang, and it's out of duty that the two hitmen come to kill their old partner. They come to a compromise and decide to pull off a big score to support the man's wife and child before settling their conflict.
There's a warmth and sweetness to what happens. Where most gangster movies are defined by that cold, impersonal "Just Business" approach to violence, here, none of the characters really want to shoot at each other, they've been friends since they were young, and they seem upset that it's come to this.
The movie was directed by Johnnie To, the Hong Kong legend, who came out with his first films around the same time as John Woo and Ringo Lam were defining the Heroic Bloodshed genre of HK action flicks. Where those earlier films were defined by the anger at the Chinese takeover of the city, this one has a sense of forgiveness, compassion and understanding, having been made after the takeover.
The dreamlike quality to the film is really something. Shootouts take place in slow motion, with action that takes only thirty seconds being expanded to several minutes. One incredible scene begins with a character throwing a Red Bull can into the air, and climaxes just as the empty can hits the floor, with bullets flying and people dying over the course of an incredible slow motion bullet ballet.
The story isn't always quite as clear as the action, but this actually helps to improve the dreamlike quality of the film. To himself has admitted that he finds the film confusing and still hasn't quite made sense of it. Watch it for the characters and the action, though, and you'll be able to appreciate the movie in full.
The genre of Heroic Bloodshed was defined by angry violence, often showing one man up against an army as a parallel to the independent people of Hong Kong and their anger against the Communist China. After Woo and Lam went to Hollywood, Johnnie To stayed behind and redefined the genre on his own terms, turning it into something a little less vitriolic.
Where the classic Heroic Bloodshed films were about anger and revenge, this one is about forgiveness and compassion, and is certainly a unique, one of a kind action film, both exciting and trance like at once. - 40723
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